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The original incarnation of Sham 69 disbanded in 1980, following the release of the band's fourth album, The Game. This was demonstrated by their third album, The Adventures of the Hersham Boys. The band eventually started to move away from punk rock, to embrace a sound heavily influenced by classic British rock bands such as Mott the Hoople, The Who, the Rolling Stones and Faces. Sham 69 would ultimately be one of the most successful UK punk rock bands, releasing five singles that cracked the Top 20 of the UK Singles Chart. around this time (although the film was not released until 1980). The band's popularity was enhanced by their performances on Top of the Pops, and the band performed in the film, D.O.A. 10 in October 1978), which came from their second LP and first full studio album, That's Life. The group had further chart success with " Hurry Up Harry" (No. These were not included on the group's debut album, Tell Us the Truth, a mixture of live and studio recordings. 19 in May 1978) and " If the Kids Are United" (No. Their major label debut was "Borstal Breakout" in January 1978, followed by UK Singles Chart success with " Angels with Dirty Faces" (reaching No. Sham 69 released their first single, " I Don't Wanna", on Step Forward Records in August 1977, produced by John Cale (formerly of the Velvet Underground), and its success in the independent charts prompted Polydor Records to sign the band. Their concerts were plagued by violence, and the band ceased live performances after a 1979 concert at the Rainbow Theatre in Finsbury Park was broken up by National Front-supporting white power skinheads fighting and rushing the stage. The band attracted a large skinhead following ( left wing, right wing and non-political). Sham 69 did not have the art school background of many English punk bands of the time, and brought in football chant backup vocals and an implicit political populism. The Pursey/Parsons/Tregunna/Cain line up then remained stable until 1979, when Ricky Goldstein took over on drums for the band's fourth album. Albie Maskell) remained for the group's first single in 1977 before being replaced by Dave Tregunna. John Goode) and Neil Harris were replaced by Dave Parsons, and drummer Billy Bostik (a.k.a. Original guitarists Johnny Goodfornothing (a.k.a.
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The 12 November 1976 issue of NME noted that Sham 69 was rehearsing in 1976, although only Pursey would remain from this early line-up twelve months later. secured the Athenian League title in 1969. It originally said Walton and Hersham '69 but had partly faded away, and made reference to when Walton & Hersham F.C. 'Sham 69' is said to have derived from a piece of graffiti that co-founder Jimmy Pursey saw on a wall. Sham 69 formed in Hersham, Surrey in 1975, although originally known (according to some sources) as Jimmy and the Ferrets. Although subsequently going through a number of line-up changes, Sham 69 remained active and were still playing gigs as of 2022. In 1987, Pursey and guitarist David Parsons reformed the band, joined by new personnel. The original unit broke up in 1979, with frontman Jimmy Pursey moving on to pursue a solo career. The group's popularity saw them perform on the BBC’s Top of the Pops, and they appeared in the rockumentary film, D.O.A. They were one of the most successful punk bands in the United Kingdom, achieving five top 20 singles, including " If the Kids Are United" and " Hurry Up Harry". The 2000 CD reissue features two bonus cuts, including a studio version of "Borstal Breakout.Sham 69 are an English punk rock band that formed in Hersham in Surrey in 1975.
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Tell Us the Truth sounds passionate, belligerent, and kinda dumb, but that's an improvement over Sham 69's later work, where the band sounds overblown, strident, and really, really dumb. But Pursey was already starting to sound a bit pompous, and time has not been the least bit kind to songs like "I'm a Man I'm a Boy" and "Hey Little Rich Boy," which for all their sincerity don't say anything dozens of other bands haven't said better. The studio side actually sounds more impressive the performances are tighter, Dave Parsons' guitar benefits from a bit of double-tracking, and Pursey sings more than he hectors. Side one of Tell Us the Truth was recorded live, and it's inarguably fascinating as an anthropological document, capturing the Cockney yob in his native environment, complete with football chants and a spontaneous chorus of "Knees Up, Mother Brown." Jimmy Pursey's communication with his audience is inarguably impressive, and some of the songs have a good head of straight-ahead energy (especially "Borstal Breakout"), but the sound is thin and the band seems to have a hard time getting into fifth gear.